Flat Light by Cassian Voss: Solo Piano in Edinburgh
Review of Cassian Voss’ Flat Light—solo piano recorded at night in an Edinburgh flat with street noise.
Songs, artists, albums and the stories behind the music
Review of Cassian Voss’ Flat Light—solo piano recorded at night in an Edinburgh flat with street noise.
Review of Celeste Noir’s Quarter Light—New Orleans brass torch songs recorded live and unedited.
Review of Lila Moreno’s Flamenco Indie—Spanish-English fusion with flamenco guitar and West Coast indie.
A line-by-line reading of Static Bloom by The Northbound—reception, recognition and the power outage that shaped the song.
Electric Habit by Naveen Dhillon—how the 7/8 to 4/4 time signature shift works, and the WhatsApp dhol loop that started it.
Coastal Light by Mira Vale—written at dawn with real gulls outside the window, recorded in one take with salt air on the mic.
Monsoon Radio by Asha Rao—Hindi and English trading lines mid-sentence, with Delhi rickshaw field recordings.
Stone Arches by The Quiet Statues—recorded live under Glasgow stone with no artificial reverb, three-second natural echo.
Second Line by Celeste Noir—an improvised one-take trumpet bridge, New Orleans funeral brass, live and unedited.
Broken Ukulele by Zephyr Lane—written to a future self, two chords on a cracked ukulele, recorded in a Lisbon kitchen.
Salt and Wood by The Blue Moss—one ribbon mic in an Asheville barn, a barking dog kept in the bridge as harmony.
Liner notes are part of the record. A guide to producer credits, mastering engineers and thank-you lists.